3 and 8 can rightly be called Divertimenti or Serenades, because of the number and combination of movements. Of Beethoven's works for a trio of violin, viola and cello, Opp. An arrangement for cello and piano by someone other than Beethoven was published in 1807 by Artaria & Co. Evidently, Beethoven began a transcription for piano trio, which was left incomplete. The piece was published in May, 1796, by Artaria & Co. Whatever the case may be, Beethoven's final version of the Trio dates from 1795. However, careful reading of Gardiner's writings and further research has shown that the piece was almost certainly composed in Vienna and probably given to either Elector Max Franz or Count Waldstein while one of them was in Vienna in 1794. Thayer assumed the work was composed in Bonn, as the memoirs of an English music enthusiast, William Gardiner, indicate that the piece came to England from Bonn in manuscript form. The history of the String Trio in E flat is sketchy. In the last three string trios, Beethoven would "Classicize" the medium by four-movement works that follow the format of Haydn's symphonies instead of the more characteristic group of six or seven movements, as we find in the Trio, Op. 9-before abandoning the genre altogether. He would compose only three more such works-the String Trios, Op. 3, demonstrates that the composer had already mastered writing for this particular instrumental combination, producing a great variety of textures. Although it was Beethoven's first publication of a work in this genre, the Trio, Op.
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